CAST: Rafe Spall, Arsher Ali, Robert James-Collier, Sam Troughton
DIRECTED BY: David Bruckner
WRITTEN BY: Joe Barton (from Adam Nevill’s novel)
RUNNING TIME: 94 minutes


by Jim Wallace

Based upon the 2011 novel of the same name by Adam Nevill and distributed by Netflix, The Ritual (2017) is a solid but unremarkable “cabin in the woods” type of horror movie featuring a small group of clueless, 30-something ex-college friends who venture into the wilderness only to be stalked by an evil entity.  It’s like a supernatural version of Deliverance, in which four unsuspecting city boys get in over their heads with the barbarous natives but are threatened with impalement on tree branches instead of sodomization by hillbillies.

The four ex-college friends from England embark on a hiking trip on Kungsleden (“King’s Trail”) in northern Sweden’s Sarek National Park.  After one of them injures his knee in a fall, they decide on an alternate route through the woods that should cut their time in half.  Even someone who’s never seen this type of movie before should guess that things soon go horribly awry, and sure enough they do.  And they get continually worse because, as is the case with almost all horror movies, the plot moves forward via the characters’ idiot decisions.


So the flaws in this “Deliverance meets The Blair Witch Project” are in its script, which features horror clichés and bland, underdeveloped characters.  The movie is very well-directed: it has a classy and stylish feel, makes excellent use of Romania’s misty mountain forests to create a truly eerie atmosphere, and utilizes sophisticated cinematic techniques to unsettle and scare its audience.  It also has good production values and a monster that’s original-looking and truly scary.  (And the monster is never shown in too much detail, which makes it even scarier.)


Thus, The Ritual disappoints not from being bad but from not living up to its potential.  It’s a fairly good movie that could’ve been a solidly good movie if only its script had been doctored.  The characters should’ve been made quirkier and more likeable, their interactions should’ve been made more interesting, and their deaths should’ve been made more horrifying.  And the movie should’ve explored further the effects on the four protagonists of the pre-story murder of their friend, which would’ve given the story more psychological and thematic depth.


By Jim Wallace

Jim Wallace is a prematurely retired Web designer/developer who’s beginning a second (part-time) career as a writer/graphic novelist/cartoonist. He has ideas for over two dozen projects and has been developing them—sometimes in dribs and drabs and sometimes in spurts—since 2016.

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