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A AVATAR - WHY ALL THE HYPE? (PART TWO)
 



 

For Hollywood marketing folks Avatar is a nightmare!

It is 100% original material based on a screenplay and story by James Cameron himself. As far as the general public is concerned its star is probably Sigourney Weaver (never much of a box office draw since her Alien and Ghostbusters glory days) and “the guy who starred opposite Christian Bale in that Terminator movie.” Sam Worthington – who is set to star in next year’s Clash of the Titans remake – may eventually become a big star, but he barely registers as a blip on the viewing public’s radar. For movie geeks the movie’s “star” is probably James Cameron himself. For them he probably has more than initials in common with J.C. himself, but for most audiences he simply doesn’t have the name recognition of a Steven Spielberg or even George Lucas.

Titanic faced these same problems. It was also a 100% original story with no stars (even though it would make a star out of DiCaprio). To be fair it did have one edge on Avatar on the marketability side when it comes to the actual disaster, which still holds a fascination for the general populace almost a century later. Also like Titanic, Avatar will be released during the less busy (read: less competitive) month of December instead of the traditionally lucrative, but crammed, summer season.

The question for Fox is, will Cameron manage to capture lightning in the same bottle twice? The signs are not encouraging. Science fiction and fantasy may be huge thanks to the likes of Star Wars and Lord of the Rings, but hardcore sci-fi audiences are too small to guarantee automatic box office success. (See: Serenity.) Also the sci-fi genre has little cross-over appeal (translated: women usually don’t watch it). Fox’s marketing thus far was aimed at the fanboy demographic, playing up the ground-breaking CG motion capture processes used to make Avatar. (Very similar processes will be used for Steven Spielberg and Peter Jackson’s “live action” Tintin movie to be released next year.)

"Only 40.9% of respondents said they’d bother seeing Avatar!"

The studios used the same tactic with Titanic when they went on about the advanced special effects Cameron used to sink the doomed passenger liner onscreen. It paid off handsomely in that case: hardcore male Cameron fans may have pulled up their noses at Titanic’s romantic kitsch, but they still bought movie tickets to see Cameron sink that damned ship!

“We're going to blow you to the back wall of the theatre in a way you haven't seen for a long time. My goal is to rekindle those amazing mystical moments my generation felt when we first saw 2001: A Space Odyssey or the next generation's Star Wars,” Cameron promised in an interview. Thus far not all of the fans agree. Only 40.9% of respondents at a daily IMDd.com poll said they’d bother seeing Avatar after viewing the brand new trailer released last week Thursday. Some commentators on the Internet have also negatively compared the film’s plot to recent science fiction box office flops such as Delgo and The Battle for Terra. (Set in the far future Avatar is about an Earth marine who switches sides when mankind tries to exploit a distant planet rich in biodiversity. In fairness Avatar started production long before either film and can’t be justly termed a “rip-off.” But will mainstream audiences think of it as such?)

It is however telling that people who watched 16 minutes of footage from Avatar at some 440 3D screens in 58 countries for “Avatar Day” on Friday – an unprecedented publicity stunt – responded much more positively to the screened footage than people who watched the trailer on the Internet. This confirms Cameron and Fox’s assertion that Avatar is something audiences should check out on either IMAX or in 3D theatres.

Still. Avatar represents a marketing nightmare for Fox. Avatar Day was poorly attended thanks to ticket sale snafus and fan disinterest. Response at both this year’s Comic-Con and on the Internet over the past week has been mixed. The film might just end up being a victim of its own hype – and if Fox can’t get the film’s intended audience to go see it, then how do they hope to lure the non-fanboy crowds necessary to make it a box office smash and make its money back? One thing is sure, I definitely don’t want to be working at Fox’s marketing department right now . . .
 


 



 

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