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FANTASTIC FOUR
STARRING:
Ioan Gruffudd, Jessica Alba, Chris Evans, Michael Chiklis, Julian McMahon
Weak, predictable writing, so-so effects and pedestrian direction prevent the movie from soaring. Pixar’s The Incredibles was actually a nice homage to the Fantastic Four so it’s a shame that the screenwriters couldn’t find the right tone and attitude for this movie. Some superhero flicks take themselves far too seriously, which pleases the fan boy audience. Other movies have gone for comic camp. The rare movie like X-Men or Spiderman nails that balance. But Fantastic Four seems like a marketing exercise targeting a teen audience with a high-powered rock soundtrack, skintight costumes and suggestive wordplay. Fortunately, most of the cast works hard to make up for the movie’s shortcomings.
Leading the teen idol demographic assault is one of the worst actresses on the planet, Jessica Alba, whose idea of squeezing out a force field or turning invisible is to look constipated. Amazingly miscast, Alba, is supposed to be the Director of Genetic research at Doom’s lab but she doesn’t look smart enough to figure out an elevator. However, Chris Evans (Cellular) works well as the jock pilot playboy who is loving his newfound celebrity as the human torch. Because "flaming on" necessitates burning off one’s clothes, Evans is happy to play eye candy. (Alba’s character also has to strip when she’s invisible, but apparently Alba has a no nudity clause.) Welsh heartthrob Ioan Gruffudd (Horatio Hornblower) struggles with an American accent as Reed Richards. Chiklis, best known for the gritty crime drama, The Shield, is bang-on perfect to play grim Ben Grimm. The movie is at its best when the four try to deal with their new powers and get on each other’s nerves as they stay in close quarters, under quarantine. In fact, the best scenes are the playful interactions between frat brat Johnny Storm and cranky Ben. McMahon, as Doom, starts off as an arrogant Wall Streeter and ends up as evil incarnate when he too gets hit with radiation. But with oddly off-colour eyebrows, heavy make-up and seriously bad 80s hair, McMahon bears an uncanny resemblance to Roy of Siegfried and Roy lion tamer fame. Sort of takes away the menacing factor.
Fantastic Four is a genesis story, so after being struck by a cosmic storm, the four hole up in Rex Richards’ lab and loft atop the Baxter building – which bears a striking resemblance to Doc Ock’s pad in Spiderman 2 – to find a cure to revert them back to normal. Richards comes up with a couple of scientific warnings about their mutated state – none of which hold true throughout the movie. Meanwhile, Doctor Doom, harassed by his board of directors and investors, discovers that he too has been affected by the radiation, but he’s delighted to use his powers for diabolical megalomaniacal evil. When the fantastic foursome
work together, they find their powers compliment each other – a family-friendly
theme The Incredibles did a better job of
conveying. The movie plods along predictably to a confrontation between Doom and
the Fantastic Four. Without spoiling the ending, there’s a scene that’s either a
homage to the X-Men or the height of cheese. In between, we get a mopey subplot
about Ben Grimm dealing with his new rocky body. If it weren’t for Chris Evans
and Michael Chiklis’ bantering, there would be a lot less entertainment in this
movie. Note to Marvel -- for the sequel, loosen the purse strings and hire a
better director and writer. This foursome should have been incredible; instead,
they’re merely adequate. — James O'Ehley
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