STARRING:
Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams,
Frank Oz, Alec Guinness
1997, 127 Minutes, Directed by: Irvin Kershner
The secret
behind the Star Wars movies, hold on for this, is the
music.
No wait, I'm being serious. As I'm writing this refrains
from the Imperial March and Leia's Theme is
reverberating though my head. And it isn't merely a question of
John Williams' score fitting the films so perfectly. No, having
just seen The Empire Strikes Back Special Edition I
realised that the music analogy goes further than this. The film
is like the music score: operatic in its scope and ambitions.
The
scene in which Darth Vader confronts Luke Skywalker with the fact
that he is his father is like a scene from a Wagner opera seen
through the prism of surreal 20th century pop culture.
When
Lucas dropped us in the midst of the action with Star Wars (Episode
IV and all that . . .) we knew that he was painting a broad
canvas, only a part of a bigger story - a story rich with its own
mythology, history and background (the Fall of the Republic, the
Clone Wars, etc.). See? Now even I am reverting to using capital
letters! That is because the Star Wars Trilogy itself is
written in Capital Letters. Nowhere is this clearer than with The Empire
Strikes Back.
Unlike
most sequels it follows naturally on the previous movie and sets
the scene for next film, Return of
the Jedi (which
unfortunately did succumb to the rules of movie sequels by
rehashing several ideas from its predecessors). Also, the film
spends more time on its characters and unlike the previous film
they aren't as busy with all kinds of swashbuckling adventures.
It isn't only the sets, which bristle with all kinds of minute
detail, that are big . . .
The production
designs are, of course, excellent. Being the sequel to the biggest box
office money spinner no cost was spared - unlike the short cuts Lucas
was forced to take with filming Star Wars. For that reason this
so-called Special Edition has fewer altered scenes than the first
Star Wars Special Edition version. Also, the added
scenes won't affront even the most nit-picking Star Wars fan: no
scenes in which Greedo fires first or Han Solo steps on Jabba the Hut's
tail. These scenes (mostly new) add more to the general scope and breadth
of the Star Wars universe. (Most of them centre around making the
city in the clouds look more impressive.)
In fact the scenes are quite
dazzling and only makes one wish harder for Lucas to complete the rest
of the planned series. After all, he is telling a big story here
. . .