happens when we die? This is a question that we have all asked ourselves at
one point or the other, no matter how certain we are in our beliefs.
also the central question behind the 1983 Brainstorm. To say that the
answers supplied in the movie are somewhat on the disappointing side is an
understatement, but one really shouldn't look to Hollywood to provide us
with answers to Life's questions. But at least Brainstorm asks these
questions . . .
One can almost think of Brainstorm as a "prequel" to the 1995 movie
Strange Days in which data-discs known as
"squids" containing recorded memories and emotions are illicitly traded on
the streets like drugs.
In Brainstorm a team of brilliant researchers
have found a way to record and play back the actual experiences of people.
It involves putting on a cheesy-looking oversized helmet and looking silly
in the process; but hey, the sad truth is that sometimes other people's
experiences are more vivacious than our own. If you're into, let's say,
sports cars wouldn't you be interested in finding out what it is exactly
like to drive the latest Porsche without having to actually buy or rent one?
Can't surf, but still want to know what it feels like? Too chicken to do
some serious downhill mountain-biking of your own? Examples are legion, and
we don't even want to go into the seedier side of things here . . .
One evening one of the more stressed-out researchers (played by Louise
Fletcher, Nurse Ratched in One Flew Over the Cuckoo's Nest) realizes
that she is having a heart attack and decides to do what any cell
phone-wielding teenager today would do: record it. The researcher dies,
leaving behind the first snuff "squid" and a moral conundrum and dilemma for
the researchers. Would it be right for the researchers to actually play back
the recording and find out what precisely happens when we die? Are we even
meant to know?
Unfortunately too much of the film's plot involves the inventor of the
device (a young Christopher Walken) having to foil a dastardly plot by a
corrupt business exec (played by Cliff Robertson) to misuse the technology.
And like we said, the answers to life's questions supplied by Brainstorm
are on the disappointing side. [WARNING: SPOILERS AHEAD!] It
seems that when we die we are all treated to a Hollywood special effects
extravaganza - a sort of an 'Eighties Spielberg version of the climax of
2001: A Space Odyssey. You know the bit where
the hippies lit up their joints. To be honest we were holding out for some vestal
virgins, but it seems that this was not to be. [END SPOILERS!]
is best remembered today - if at all - for being the flick actress Natalie
Wood was working on when she tragically drowned in a boating accident. (She
plays Walken's wife in the film.) More trivia-obsessed science fiction buffs
will know it as special effects guru Douglas Trumbull's last major Hollywood
movie as director. (He sadly only directed two movies. The other film was
the underappreciated 1972 eco cautionary tale,
Trumbull is of course better known for his groundbreaking special effects
work on the likes of 2001,
Close Encounters of the Third Kind and
Blade Runner. Brainstorm
may have been intended to be a showcase for a new film projection system
called "Showscan" (it was however canned due to budgetary reasons), but the
movie can't exactly be classified as a special effects movie.
It isn't a
loud brainless FX spectacle typical of the era at all. In fact it feels a
bit like a leftover from the more cerebral ?Seventies era of science fiction
cinema, and we're not just referring to the dated fashions and hairstyles
here. Like his earlier Silent Running, it is a movie of ideas, and
fascinating ideas at that. Sadly, like Silent Running, it is also a
frustrating movie in that the movie never lives up to its potential and that
its denouement is pedestrian to say the least. Still, hard sci-fi fans
should check it out and mourn Trumbull's exit from the Hollywood scene as
Trumbull's experience on Brainstorm has so soured him so much that he
never again directed another movie again. Instead he focused on theme-park
rides (like the Back to the Future ride at
Universal) and effects work for IMAX films. So what happened? Natalie Wood
died near the end of principal photography of Brainstorm in 1981, but
the film was only released in 1983.
Why the delay? It was because of a
lengthy court battle involving Brainstorm's producers who wanted to
leave the film unfinished and claim Wood's insurance instead. However the
contract stipulated that the decision was Trumbull's and he finally
completed the film after extensive rewrites and using a stand-in for Wood
and changing around a few camera angles. Now, that's Hollywood for you!