ALICE IN
WONDERLAND BLU-RAY

Alice in Wonderland (Three-Disc Blu-ray/DVD Combo + Digital Copy) (2010)
Director: Tim Burton
Format: AC-3, Closed-captioned, Color, Dolby, DTS Surround Sound,
Dubbed, Subtitled, Widescreen
Language: English
Subtitles: French, Spanish
Region: 1 (U.S. and Canada only)
Aspect Ratio: 1.77:1
Number of discs: 3
Studio: Walt Disney Studios Home Entertainment
DVD Release Date: June 1, 2010
Run Time: 108 minutes
Special Features:
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Finding Alice The Mad Hatter
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The Futterwacken Dance
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The Red Queen
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Time-Lapse: Sculpting the Red Queen
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The White Queen
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Scoring Wonderland
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Effecting Wonderland
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Stunts Of Wonderland
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Making the Proper Size
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Cakes of Wonderland
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Tea Party Props
Movie:
   
Disc:
   
Do
two-edged swords come any sharper than the movies of Tim Burton? Do the
truly wondrous and the utterly banal march side-by-side in such perfect lock
step?
No one creates more compelling onscreen imagery, and only a tiny handful of
filmmakers are as adept at conjuring entire fantasy worlds out of whole
cloth. But once he achieves those vistas, he hasn’t the slightest idea what
to do with them, content instead to wander through the landscape with one of
his patented quirky outsiders as a guide. Those are the rules of the game,
unfortunately: pretty pictures from a singular visionary who can’t tell a
proper story to save his life.
Theoretically, that makes Alice
in Wonderland an ideal fit for him, since Lewis Carroll eschewed the
whole “plot” thing himself. The original books consisted solely of
tangentially connected scenes, wrapped in a dream-like absurdity and
dedicated primarily to skewering every rule they could get their dainty
Victorian hands on. Ironically, Burton eschews that model, despite the fact
that he really doesn’t have to. The resulting tale constitutes something of
a sequel, as a grown-up Alice (Mia Wasikowska) returns to Wonderland to
overthrow the rule of the despotic Red Queen (Helena Bonham Carter). She’s
as confused as she was the first time around, and the strange creatures she
meets remain as baffling as ever, but with the Hero’s Journey placed firmly
before her, she at least moves with reasonable purpose towards a clearly
identifiable climax.
That proves beneficial in granting Alice some coherence, though it
mars many of the things which made the Carroll stories so great. It
constitutes big-budget Hollywood product, and as such its rebellious streak
needs to stay closely in check. The rambling new structure, ultimately
pitting Alice against the Jabberwocky in a fight to the finish, constrains
the original even as it provides a better sense of form. That ends up muting
the books’ unique iconoclasm, limited here to obvious targets and devoid of
the anarchist’s glee which Carroll took in upending all conceivable forms of
convention.
The characters occupy a similarly compromised position: most of them forced
to make the most of limited screen time. Johnny Depp’s Mad Hatter - the
apple of Burton’s eye and a figure who eclipses even Alice in importance
here - actually represents the film’s weakest element. In an effort to
convey his unpredictability, actor and director succeed only in muddling his
personality, compounded by a bizarre delivery which often makes it difficult
to understand what he’s saying. Wasikowska does better as Alice, though the
script requires only that she look pale and perplexed. The best performances
do far much with much less: Carter’s petulant Red Queen, Anne Hathaway’s
strangely disturbed White Queen and Stephen Fry’s Cheshire Cat (who knocks
the ball clear out of the park).
Burton supports them with his usual astonishing visual canvas, creating a
Wonderland at once unquestionably Carroll’s and uniquely his own. Devoid of
the 3-D gimmickry which sullied its theatrical release,
Alice in Wonderland’s
canvas flourishes on home video, and Burton’s boundless imagination ensures
that it all looks gorgeous. Combined with his basic affinity for the
material, it renders Alice a thoroughly worthwhile experience. The cost,
however, remains unchanged: don’t expect to be challenged the way Carroll
challenged us, or give the wafer-thin storyline any but the most perfunctory
thought. What’s good is very good; what’s bad… well, the less you dwell on
that, the better off you’ll be.
THE DISC: Few films look better on Blu-Ray than this one, and the
beautiful transfer ensures the film’s strongest elements (the CGI and
costumes) are on full display. It also reinforces 3-D’s status as a
cinematic appendage: the film looks better on the 2-D television than it
ever did through those fancy glasses, and they don’t overcharge you for the
privilege to boot.
The Blu-Ray also contains the expected array of extras: an hour of
supplemental material, covering everything from Carter’s make-up to Depp’s
Fudderwacken dance, a DVD copy and a digital copy for transfer to the
computer. The Blu-Ray’s interactive menu is pretty keen too.
WORTH IT? Definitely worth it. Blu-Ray may actually be the ideal way
to experience the film, and the folks at Disney have outfitted it with a
number of sexy bells and whistles. Now, if only they’d do that for their
animated version of Alice . . .
RECOMMENDATION: The Blu-Ray allows the best parts of the film to
flourish, though it can’t erase its undeniable flaws. Even so, it makes an
honored addition to any film fan’s library.
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