Realism is the key and McKidd’s Cooper takes everything in stride as if he is a very real soldier dealing with the problem. Read more
Despite the film’s flaws, there are still a few surprises. Read more
Like watching a recording of someone else playing a video game . . . Read more
For a film about demonic possession, it is surprisingly soulless . . . Read more
The most unnecessary remake since Gus van Sant’s 1998 shot-for-shot remake of Psycho . . . Read more
