Article

ALIEN


STARRING: Sigourney Weaver, John Hurt, Harry Dean Stanton, Tom Skerrit, Veronica Cartwright, Ian Holm, Tom Skerrit

1979, 124 Minutes, Directed by: Ridley Scott


Description: A landmark of science fiction and horror, Alien arrived in 1979 between Star Wars and The Empire Strikes Back as a stylishly malevolent alternative to George Lucas's space fantasy. Partially inspired by 1958's It! The Terror from Beyond Space, this instant classic set a tone of its own, offering richly detailed sets, ominous atmosphere, relentless suspense, and a flawless ensemble cast as the crew of the space freighter Nostromo fall prey to a vicious creature (designed by Swiss artist H.R. Giger) that had gestated inside one of the ill-fated crew members. Amazon.com

Science fiction is a handy genre: it is possible for people who doesn't really know much about it to transpose another genre (western, horror, detective) unto it, look cool in the process and make a bundle at the box office.

It is seldom that a "pure" science fiction movie gets made without all kinds of genres transposed unto it - take Star Wars for example, which is a pastiche of every movie genre known to mankind. It is not one movie, but all movies, thus falling perfectly under egghead Umberto Eco's definition of a cult movie.

"Despite the plot's limitations, director Ridley Scott pulls it all off with amazing visual aplomb . . ."

Alien is a horror flick set in outer space. The old haunted house is the giant space ship Nostromo. The monster is a vicious (a truly original) alien designed by Swiss artist HR Giger.

The teenagers in the old house are the ship's crew: Sigourney Weaver, John Hurt, et al. Predictably the alien kills them all off until only a lone female crew member remains.

Much has been made of the Alien movies being feminist. This is true to an extent, in that its female protagonist Ripley (Weaver) doesn't wait and hang around to be rescued by a male. Instead she does the Rambo thing herself - particularly in the first sequel (Aliens) - and blow away those alien mothers herself! But the plot device in the first Alien movie is one that has been done the year before by Jamie Lee Curtis in Carpenter's Halloween horror movie and every subsequent slasher movie from Friday the 13th to Nightmare on Elm Street.

However, despite the plot's limitations, director Ridley Scott pulls it all off with amazing visual aplomb - having made his debut in the advertising business, Scott has got that 1980s "look" to all his movies.

This film is no exception: first there is the stunning designs by Swiss artist HR Giger. His stuff is like the Surrealists on a really very bad day.

Giger and Scott creates a sense of unease by placing human protagonists against an alien and surreal backdrop - one of the basic ingredients of sci-fi.

Both the Nostromo and the alien world where the alien gets picked up are strange and unforgettably original. Claustrophobic, the Nostromo is grimy and dark - continuing the tradition set by Star Wars and 2001 of giving the viewing public space ships that look like they might actually work!

Add to this stunning special effects and an alien brought to life by special effects wiz Carlos Rambaldi (who later designed E.T.!), brooding music by Jerry Goldsmith (Oscar winner for The Omen) and it is not difficult to see why the movie has achieved both the cult status and box office success it did . . . a hit with both horror and sci-fi fans, it spawned three sequels: Aliens (in 1986), Alien 3 (1992) and Alien Resurrection (1997).

(The screenplay is by Dan O'Bannon. As a student O'Bannon also collaborated with Carpenter on the cult classic Dark Star - from which he borrowed liberally for Alien. O'Bannon later wrote Total Recall and Screamers - both based on Philip K. Dick short stories. Sometimes he appears to be the only person in Hollywood who actually reads sci-fi in his spare time!)

 

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